Photography, Lifestyle Zafira Ahmed Photography, Lifestyle Zafira Ahmed

My First Exhibition | Zafira

‘LOST IN TRADITON.’

Hey!

So a few days ago, I had my work exhibited for the very first time! As part of a group exhibition by me and my MA group, we showed off some work we did as part of an assignment last term under the theme ‘Collisions’.

I wasn’t planning on doing a blog post on this hence the non-blogger-last-minute-pictures but I thought it would be fun to explain more about the meaning and context behind my work and even a little bit about my working progress.

RESEARCH

A lot of research went into this. It’s the first time I’ve completely finished a photography project, well when I say finished I mean have at least 90% satisfaction with the final product.

It all started off with family pictures from the 70-90s. I spend so much time flicking through family albums, I knew I had to use them in my project in someway or other.

The photographs that stood out most were definitely the portraits, especially the ones taken in studios. It’s crazy how my family used to go to a studio and get these regal, professional shots taken of them against the most extravagant backgrounds. My favourite had to be this one of my dad’s aunt and uncle which you’ll see eventually inspired the entire colour scheme of my project.

I also found myself delving quite deeply into theoretical concepts in photography, it might have been because I was taking a critical studies class at the time but I have always loved reading about anthropological concepts.

The main concept I focused on was Edward Soja’s theory of photographic space and its relation to this idea of the ‘other’. I was looking at the impact of the colonial gaze as well as Edward Said’s take on orientalism. I recommend looking into all these concepts because they give you such an clear understanding on how the West impacted colonised people, their countries and even their way of life post-colonisation.

(the faces are blurred out for privacy reasons and it’s watermarked because it’s from my dad’s very extensive family archive)

 

TEST SHOOTS

So I did quite a few test shoots for this, you might have seen a few of this pictures over on my Instagram but it was so much fun dressing up and shooting myself in different styles.

Ultimately, I knew I wanted to portray a balance between my two cultures; my Western life here in the UK but then also my roots back in Bangladesh and then also tie back in orientalism and it’s impact on my generation of Bangladeshis.

In these photographs you can see one very ‘modern’ style of South Asian style but then the other is a very traditional look. I knew after shooting these 2 different sets, that for my final, I’d want to represent both somehow.

My set up started off with my mum’s old sarees, I love a good classic katan saree. They’ve always felt so decadent to me. I loved the creases and the folds and the way that mirrored the folds in the clothing I was wearing. I liked how these turned out but it didn’t feel exciting enough to me.

pre-final-set

These are my pre-final-set of images I guess you’d call them? Well those personally, gave me the ick towards myself as a photographer because of how hazy and foggy and messy they look but they were so pivotal in the creation of my final set so I had to include these in here. I was playing around with lens filters and different editing styles and it did not work out how I wanted to but at least now I had a clear image of what I wanted for my final set.

I wanted to go back to that family portrait and figure out how I could recreate the colours because that’s one thing that made me fall in love with it and the backdrop too. However. getting a backdrop anywhere close to the one in the original picture would have broke my bank account. I looked at other options too like printing a photograph of Bangladesh onto material and then using that but that too was just way out of my budget.

I was like okay, where can I get a large amount of fabric for cheap? And then it came to me, a bedsheet. I got this during the boxing day sales on Amazon for £7 and it’s amazing. It’s quite a matte material which was a gem not only photographing but even when it came to printing later on.

 

final project.

I ended refining my pre-final-set and made the quality much more clean and refined. I decided to focus on paan and the whole paan eating process as in a few of the pictures, you’ll see my skirt is actually printed in gold paan leaves. (my skirt is handmade!!!)

It fit into the whole “Lost in Tradition’ title because paan is something I eat a little too regularly after I’ve finished a meal. It’s a tradition I’ve carried on even though I’ve grown up around such a Western environment. I was playing around with the nut cracker in the pre-final set and it was pretty interesting having that contrast between the metal and the bright colours.

I shot this in my kitchen for optimal natural lighting in the 1 hour of bright light we get during the winter in the UK and it worked out so well. I found shooting slightly underexposed but with a medium or large raw file really malleable in my editing process. Yes, there was a some of noise because of this but it added some amazing texture and film like feel to the pictures.

If you press the ‘click here’ button on the image above, you can see all the photographs :)

 

Overall, I think I’m happy with how they turned out. The printing process was so cool too, I got my prints done at Come Through Lab in Ancoats and they did such a great job.

A big big thank you to everyone who came and saw my work whilst it was being exhibited. I don’t think I’ve ever truly felt like a real photographer until I saw other people looking at my work up on the walls.

Here’s me looking like a baby in front of my work.

I’ll be releasing some prints within the next week so keep an eye out over on Instagram if you want to get your hands on some!

Thanks for reading,

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I'll be posting these plus a lot more over on my Instagram!

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